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Rivals season 2 has entered pre-production – here’s what we know

The first season introduced us to the bitter rivalry between ex-show jumper Rupert Campbell-Black (Alex Hassell), journalist Declan O’Hara (Aidan Turner) and TV mogul Lord Tony Baddingham (David Tennant). Set in the Cotswolds in the 1980s, the show is an endlessly addictive and surprisingly satisfying guilty pleasure of a show, filled with displays of excess, over-the-top sex scenes and plenty of deliciously awful people. In short, we need more of it!

Here’s what we know about Rivals season 2 so far.

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Robert Viglasky/Disney+

What happened in Rivals season 1?

First, a quick recap of everything that happened in the first eight episodes: the show loosely follows the events of Cooper’s novel of the same name, which is actually the second book in her famous 10-book Rutshire Chronicles series. The show takes us deep into the lives of the English elite as they climb the social ladder through both business manoeuvres and romantic affairs.

The series begins as a long-standing rivalry between charismatic ex-Olympic rider-turned-Tory MP Rupert Campbell-Black and somewhat sinister TV station controller Lord Tony Baddingham comes to a head. Tony expands Corinium Television, bringing on new chat-show host Declan O’Hara.

Things finally come to a head (spoiler alert!) at the British Television Awards. Corinium Television wins an award at the event, but there is a whole lot going on behind the scenes. Tony ends up proposing to Cameron (Nafessa Williams), a former NBC producer who moved from the US to the UK to work for Tony, promising to leave his wife for her. However, when she reveals that she has been having a relationship with Rupert — and that she wants that relationship to continue — he slaps her. Cameron ends up hitting Tony over the head with their award and we are left with a shot of Tony bleeding on the floor in a tantalising cliffhanger.

LP Staff Writers

Writers at Lord’s Press come from a range of professional backgrounds, including history, diplomacy, heraldry, and public administration. Many publish anonymously or under initials—a practice that reflects the publication’s long-standing emphasis on discretion and editorial objectivity. While they bring expertise in European nobility, protocol, and archival research, their role is not to opine, but to document. Their focus remains on accuracy, historical integrity, and the preservation of events and individuals whose significance might otherwise go unrecorded.

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