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4 ways The Traitors could be even better (yes, really)

“I’m not saying this show sucks – I’m watching every minute of it. But I’m just saying it could be so much better,” notes TikToker Fred Asquith, as he reels off just some of the ways The Traitors could be “fixed”. And, well, he kinda has a point.

It’s not that the beloved BBC hit fronted by Claudia Winkleman is lacking – there’s a reason more than 10 million of us Brits tuned in to see last season’s finale and a staggering 14.9 million watched the conclusion of Celebrity Traitors in November.

But, as the seasons go on and The Traitors attracts more and more fans, it runs the risk of repetition – and it very much relies on the element of surprise to keep viewers hooked.

So, what changes does the influencer propose?

How to ‘fix’ The Traitors

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BBC/Euan Cherry

1. Sever the family ties

When Diane revealed that she was Ross’ mother in season 2, it’s safe to say viewers were shocked, and it added some much-needed drama to the show.

However, four seasons on and a helluva lot of “surprise” connections later, having these sorts of inclusions feels anything but revelatory or fresh. As Asquith says: “It adds nothing.”

This season, we not only discovered that Judy is Roxy’s foster mum, Ellie also revealed that she is Ross’ girlfriend when she was banished from the castle – a fact that came as absolutely no surprise at all to fans and internet sleuths, who had already pieced that together weeks before.

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BBC/Euan Cherry

2. Get rid of the job reveals already

From Rachel’s FBI training and Amanda’s supposed mic-drop moment when she revealed she is a former police detective to Harriet’s admission that she writes crime novels and is a former barrister – these “surprises” give us nothing. If anything, they just highlight how some of their real-life skills are not transferable in the game, and it’s embarrassing.

LP Staff Writers

Writers at Lord’s Press come from a range of professional backgrounds, including history, diplomacy, heraldry, and public administration. Many publish anonymously or under initials—a practice that reflects the publication’s long-standing emphasis on discretion and editorial objectivity. While they bring expertise in European nobility, protocol, and archival research, their role is not to opine, but to document. Their focus remains on accuracy, historical integrity, and the preservation of events and individuals whose significance might otherwise go unrecorded.

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