Natalie Portman has been confirmed to star in Girls creator Lena Dunham‘s Netflix movie Good Sex, which sees a 40-year-old couples therapist navigate the New York dating scene, finding herself in a sexy tryst with a young Brookyn hipster, as well as a more conventionally-minded man from Manhattan. We love a love triangle.

Now, we know a little more about the supporting cast, and it will include true rom-com royalty. When Harry Met Sally Star Meg Ryan is set to appear, as well as 13 Going On 30 star Mark Ruffalo.

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This comes as we eagerly await Lena’s upcoming TV series Too Much, which also follows a New York woman’s dating exploits when she moves to London after a break up.

It will be the latest film to tackle and portray age-gap romantic relationships, with the latest Bridget Jones movie Mad About The Boy and Nicole Kidman‘s Babygirl also exploring what happens when a woman in her ‘middle age’ era embarks on a sexual and/or romantic relationship with a younger man.

Natalie has spoken out about the fact that Lena had inspired her to overcome her fear of sexism in Hollywood. “I remember seeing Tiny Furniture, Lena Dunham’s film, and when the credits rolled I started crying because it was written by Lena Dunham, starring Lena Dunham, produced by Lena Dunham, and directed by Lena Dunham,” she said in an interview. “This young woman has no fear of [saying] “I did it, I did all of this.” And it was so good.”

She added that Lena’s determination to create, write and star in her own stories and hit back against the double standards that exist in Hollywood, particularly when women step into their own power, challenge authority or try to blaze their own path. “It inspired me to not be afraid of that [criticism], and I do think the ‘vanity project’ thing can go in the bossy pile of words that are used more unfairly against women than men,” Natalie said.

When asked what can be done to challenge these perceptions, she responded: “More women need to be making films in general… I think once it just becomes commonplace, people will just say [it’s] a good or bad film, they’re not saying “female” or “male,” and it just becomes life.”