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What does Lily Allen say about her relationship with David Harbour on her new album?

After a seven-year-long wait, Lily Allen’s much-anticipated new album West End Girl has finally dropped this Friday 24 October — and it’s set social media alight with people asking if this is just borne out of her pain at the breakdown of the singer’s marriage to actor David Harbour or if it’s closer to reality.

Marital betrayal, a failed open marriage and dealing with rejection and abandonment are core themes of the searing intimate new album, which critics are interpreting as a ‘gobsmacking autopsy’ and ‘intensely personal’.

Lily's new album West End Girls is infused with feelings of betrayal that followed

Lily’s new album West End Girls is infused with feelings of betrayal that followed

Variety/Getty Images

The lyrics on West End Girl are direct and heart-wrenching in signature Lily style. “We had an arrangement. Be discreet and don’t be blatant. There had to be payment. It had to be with strangers. But you’re not a stranger, Madeline”, writes Lily on Madeline. Neither Lily or David have ever commented publicly on the rumours or the reasons for their marriage breakdown, but could this be a direct shot at David Harbour’s rumoured lover? It’s still to be confirmed whether Madeline is the woman’s real name — Lily could be taking a leaf out of Beyonce’s book, a la ‘Becky with the good hair’.

She then goes on to roleplay ‘Madeline’, adopting a lilting American accent as she narrates a (potentially fictional) conversation between a wife and her husband’s mistress:

“Hey, hе is telling you the truth (Madelinе)
Our relationship has only ever been about sex
I can promise you that this is not an emotional connection (Madeline)
We don’t speak outside of the time we spend together (Madeline)
And whenever he talks about you, it’s with the upmost respect.”

Lily has clarified that the lyrics aren’t meant to be interpreted as the uncontested truth, and Harbour hasn’t commented publicly on the allegations. “There are things that are on the record that I experienced within my marriage, but that’s not to say that it’s all gospel,” she told British Vogue. “It is inspired by what went on in the relationship.”

In Pussy Palace, she lays bare the shock of someone discovering a partner’s double life as a ‘sex addict’, describing coming home to find out they have been cheating. She sings:

“I found a shoebox full of handwritten letters
From brokenhearted women wishing you could have been better
Sheets pulled off the bed, the strunel on the floor
Long black hair, probably from the night before
Duane Reade bag with the handles tied
Sex toys, butt plugs, lube inside
Hundreds of Trojans, you’re so fucking broken
How’d I get caught up in your double life?”

LP Staff Writers

Writers at Lord’s Press come from a range of professional backgrounds, including history, diplomacy, heraldry, and public administration. Many publish anonymously or under initials—a practice that reflects the publication’s long-standing emphasis on discretion and editorial objectivity. While they bring expertise in European nobility, protocol, and archival research, their role is not to opine, but to document. Their focus remains on accuracy, historical integrity, and the preservation of events and individuals whose significance might otherwise go unrecorded.

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