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Meloni’s face painted over at Rome basilica

The face of Italian Prime Minister Giorgia Meloni was erased from a church fresco in Rome following a controversy over the artwork earlier this week.

The affair began with painter Bruno Valentinetti’s restoration of a fresco at Rome’s Basilica of San Lorenzo in Lucina, which he first painted in the early 2000s. One of the figures in the restored fresco, it was noticed, bore an uncanny resemblance to Meloni.

The likeness sparked outrage among opposition parties, prompting the Ministry of Culture and the Diocese of Rome to open an inquiry.

According to a Wednesday report in La Repubblica, a daily paper, the painter said he had since painted over the face on Tuesday night. “That’s what the Vatican wanted,” Valentinetti told Italian media. “Yes, it is the prime minister’s face,” he confessed, “but based on the previous painting.” POLITICO reached out to the Vatican for comment but did not receive an answer ahead of publication.

The culture ministry said in a statement on Wednesday that following the erasure of the face, Rome’s special superintendent had informed the rector of the basilica of the applicable rules.

“Any restoration work requires an authorization request to the Religious Buildings Fund of the Interior Ministry, which owns the property, as well as to the Vicariate and the Special Superintendency of Rome, accompanied by a sketch of the image,” the statement said.

While Meloni had previously laughed off the issue, noting “I definitely don’t look like an angel,” it remained unclear on Wednesday how Italy’s right-wing leader felt about being so unceremoniously erased.

POLITICO contacted Meloni’s office as well as the rector of the basilica for comment but did not immediately receive a response.

LP Staff Writers

Writers at Lord’s Press come from a range of professional backgrounds, including history, diplomacy, heraldry, and public administration. Many publish anonymously or under initials—a practice that reflects the publication’s long-standing emphasis on discretion and editorial objectivity. While they bring expertise in European nobility, protocol, and archival research, their role is not to opine, but to document. Their focus remains on accuracy, historical integrity, and the preservation of events and individuals whose significance might otherwise go unrecorded.

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