Saturday, 07 February, 2026
London, UK
Saturday, February 7, 2026 2:42 AM
scattered clouds 7.6°C
Condition: Scattered clouds
Humidity: 91%
Wind Speed: 13.0 km/h

Duchess of Marlborough’s Cartier Amethyst Sautoir 

Gladys Deacon, the Duchess of Marlborough, who was born on this day in 1881, 145 years ago, owned Empress Maria Feodorovna’s Pearl Drop Tiara and also acquired this magnificent Art Deco Amethyst and Diamond Sautoir from Cartier in London 100 years ago, which has been auctioned at Christie’s three times over the past 50 years!

When Gladys Deacon married the Duke of Marlborough in 1921, the Duke’s former wife, the legendary Consuelo Vanderbilt, Duchess of Marlborough, had auctioned off her Boucheron Diamond Tiara while the Vanderbilt Boucheron Pearl Tiara had been given to her daughter-in-law, the Marchioness of Blandford, so the Duke acquired Empress Maria Feodorovna’s Pearl Drop Tiara for the new Duchess.

A requirement of her new position was to accompany her husband to State ceremonies, such as the Opening of Parliament, and society weddings and balls. For these she had to be suitably attired, and during the 1920s and early ’30s she acquired some truly sensational jewels.

In 1926, the Duchess of Marlborough ordered this long Amethyst and Diamond Sautoir from Cartier in London composed of thirty-six graduated oval-shaped amethyst collets interspersed with twin rectangular-cut amethysts or twin diamond-set bar links, can be styled as a belt, or detached and worn as three necklaces of varying lengths.

The long chains of amethysts and diamonds were originally part of a sumptuous sautoir first ordered by Gladys in 1926 from Cartier, London. During this period, Cartier was creating wonderful interpretations of this extremely fashionable jewel. The first design of this sautoir was a long chain of oval amethysts connected by links of baton-shaped amethysts and diamonds, and the clasp was designed as an open circle set with calibré-cut turquoises and diamonds, connected by an amethyst-set fob attachment. From Cartier’s records, it is clear that the Marlboroughs supplied the 34 larger amethysts and four diamonds, previously set in a brooch. The turquoises and the baton-shaped amethysts, together with a further nearly 20 carats of diamonds were supplied by Cartier. The clasp of this sautoir, was sold as a brooch.

The following year, the Duchess of Marlborough was described wearing the Sautoir for a Ball given by Lady Fitzwilliam in Grosvenor Square during the London Season.

The Duchess of Marlborough wore a long, fish-tailed lavender satin dress, while her jewels consisted of her chain of and amethysts and diamonds fastened with turquoise brooch, and masses of Cartier bracelets in diamonds and other stones On her left wrist.

In 1928, Gladys had the sautoir altered yet again so it could be worn as a two row necklace together with detachable diamond panels.

The 1926 version of the amethyst and diamond sautoir by Cartier London. win the turquoise and diamond clasp, and the 1928 version with the two panels from the diamond bracelet which had been created by Chaumet in 1925.

The Duchess became a recluse after the mid-1930s and her jewels remained in the Bank Vault until sold by Christie’s in the “A Casket of Highly Important Jewels: The Property of the late Gladys Marie, Dowager Duchess of Marlborough” Sale in July 1978 in London, where the Cartier Art Deco Amethyst and Diamond Sautoir was lot 80.

After being auctioned in St Moritz in 1989, in 2003, the Cartier Art Deco Amethyst and Diamond Sautoir came up for Auction at Christie’s in New York from the Estate of Eleanor Searle Whitney McCollum, selling for USD 125,100 after an estimate of USD 50,000 – USD 70,000.

The jewel made its last appearance at auction in St Moritz in 1989 when again, although described as ‘spectacular’, it had been split into two lots and neither its provenance nor its creators were mentioned. In all its many forms. the sautoir was an exciting Cartier jewel.

A decade later, the Duchess of Marlborough’s Cartier Art Deco Amethyst and Diamond Sautoir came up for auction again, at Christie’s in Geneva, where it sold CHF 341,000.

The following year, the Duchess of Marlborough’s Cartier Art Deco Amethyst and Diamond Sautoir was on display at the Biennale des Antiquaires in Paris, but it has not publicly appeared again.

Empress Maria Feodorovna’s Pearl Drop Tiara

Art Deco Amethyst and Diamond Sautoir

Marlborough Tiara

Boucheron Tiara

 Duchess of Marlborough’s Pearl Necklace

Devonshire Diamond Palmette Tiara

Duchess of Devonshire’s Tiaras

Devonshire Diamond Rivière

Devonshire Parure

Ruby Clasp

Craven Brooch

Insect Brooches

Devonshire Tiara

Devonshire Diamond Rivière

Ruby Clasp

Wellington Tiara

Diamond Earrings

Diamond Tassel Earrings

Bagration Spinel Tiara

Rosebery Tiara

 Diamond Necklace

Westminster Myrtle Wreath Tiara

Diamond Fringe Tiara

Duchess of Buccleuch’s Tiaras

Northumberland Tiara

Duchess of Sutherland’s Tiara

Duchess of Bedford’s Tiaras

Marlborough Tiara

Portland Tiara

Duchess of Norfolk’s Sapphire Necklace

Rutland Tiara

Argyll Tiara

Manchester Tiara

Dufferin Tiara

Bath Tiara

Milford Haven Ruby Kokoshnik

Duchess of Devonshire’s Tiaras

Devonshire Parure

Ruby Clasp

Craven Brooch

Insect Brooches

Londonderry Tiara

Londonderry Amethyst Parure

Londonderry Pearl Parure

Londonderry Turquoise Parure

Londonderry Diamond Stomacher

Londonderry Emerald Parure

The Girls of Great Britain and Ireland Tiara

Vladimir Tiara

Queen Alexandra’s Kokoshnik Tiara

Belgian Sapphire Tiara

Burmese Ruby Tiara

Brazilian Aquamarine Tiara

Queen Mary’s Fringe Tiara

Queen Mary’s Lover’s Knot Tiara

Queen Victoria’s Oriental Circlet Tiara

 

 

 

LP Staff Writers

Writers at Lord’s Press come from a range of professional backgrounds, including history, diplomacy, heraldry, and public administration. Many publish anonymously or under initials—a practice that reflects the publication’s long-standing emphasis on discretion and editorial objectivity. While they bring expertise in European nobility, protocol, and archival research, their role is not to opine, but to document. Their focus remains on accuracy, historical integrity, and the preservation of events and individuals whose significance might otherwise go unrecorded.

Categories

Follow

    Newsletter

    Subscribe to receive your complimentary login credentials and unlock full access to all features and stories from Lord’s Press.

    As a journal of record, Lord’s Press remains freely accessible—thanks to the enduring support of our distinguished partners and patrons. Subscribing ensures uninterrupted access to our archives, special reports, and exclusive notices.

    LP is free thanks to our Sponsors

    Privacy Overview

    Privacy & Cookie Notice

    This website uses cookies to enhance your browsing experience and to help us understand how our content is accessed and used. Cookies are small text files stored in your browser that allow us to recognise your device upon return, retain your preferences, and gather anonymised usage statistics to improve site performance.

    Under EU General Data Protection Regulation (GDPR), we process this data based on your consent. You will be prompted to accept or customise your cookie preferences when you first visit our site.

    You may adjust or withdraw your consent at any time via the cookie settings link in the website footer. For more information on how we handle your data, please refer to our full Privacy Policy